On The Traces of Frida Kahlo: A Life Lived in Art

Mexican artist Frida Kahlo's iconic style celebrated at the Museo Frida Kahlo

11 Feb 2013

Plaster cast corset worn, customised and painted by Frida Kahlo.
Plaster cast corset worn, customised and painted by Frida Kahlo.

 

APPEARANCES CAN BE DECEIVING: The latest exhibition at the Museo Frida Kahlo in Mexico City 

Set inside visionary Mexican artist FRIDA KAHLO’S former home – La Casa Azul in the bohemian neighbourhood of Coyoacán in Mexico City – the Museo Frida Kahlo presents their latest exhibition in collaboration with Vogue Mexico. Kahlo’s wardrobe now sees daylight again, after a long time hiding away in the Casa Azul. Following her death in 1954, husband and Mexican artist DIEGO RIVERA had locked Kahlo’s clothes away, perhaps thinking them to be too private for showing.

Celebrating Kahlo’s remarkable style fusing Pre-Hispanic mythology, folk tradition and a reverence for her Mesoamerican indigenous heritage, the exhibition presents sketchbooks and artworks by Kahlo alongside key pieces from Kahlo’s personal wardrobe: intricately embroidered textiles and dresses, braided flower headpieces, Chinese-inspired laced boots with flaming dragons, a small gold ashtray, jewellery, and a particularly quirky pair of sunglasses.

 

Nickolas Muray, Frida with Olmeca Figurine, Coyoacán, 1939.
Nickolas Muray, Frida with Olmeca Figurine, Coyoacán, 1939.

 

The exhibition takes its title from an artwork by Frida Kahlo of the same title – Las Apariencias Engañan (Appearances can be Deceiving) – where Kahlo portrays herself in manner of an X-Ray, revealing her dramatic disabilities concealed beneath the layers. The consequences of a severe bus accident during her youth, Kahlo was to suffer her whole life from these, fuelling her art with an incendiary passion and spirituality. Provocative, surreal, and poetic, Kahlo’s art transcended painting, extending onto her very self to create a living and total work of art.

 

Las Apariencias Engañan, A work on paper by Frida Kahlo. "My painting carries with it the message of pain." - Frida Kahlo.
Las Apariencias Engañan, A work on paper by Frida Kahlo. “My painting carries with it the message of pain.” – Frida Kahlo.

 

Known for her intense self-portraiture and dream-like symbolism, Kahlo’s style was as exuberant and fantastic as the realities she painted. It is remembered that when Kahlo would walk in the street in full regalia, little children would ask her ‘where is the circus?’, to which she would simply carry on.

The exhibition extends through a presentation of never-before exhibited photographs of Kahlo, and contemporary designs by fashion designers such Jean Paul Gaultier, Rei Kawakubo for Comme des Garcons and Riccardo Tisci for Givenchy offering tribute to Kahlo’s flamboyant style through their collections.

 

Frida's right leg prosthesis with red boot in Chinese style, 1953.
Frida’s right leg prosthesis with red boot in Chinese style, 1953.

 

With a Jewish-Hungarian father and an Amerindian-Spanish mother, Kahlo’s roots were mixed but Kahlo constructed her identity as a proud display of mexicanidad and ‘primitive style’; an interest shared with Diego Rivera. Although Kahlo sometimes mixed in European elements into her wardrobe, her favorite style became that of the traditional dress from Tehuantepec – a legendarily matriarchal society in Oaxaca, often accompanied by her adopted pet monkeys, exotic birds and Xoloitzcuintli dogs (a breed of dogs sacred to the Mayans and Aztecs).

 

A Pre-Hispanic statue in the Casa Azul's garden with a view into the house.
A Pre-Hispanic statue in the Casa Azul’s garden with a view into the house.

 

Philosophy and politics surface in the mix with Kahlo affirming her revolutionary convictions through a Communist hammer and sickle painted on one of her plaster cast corsets.

 

Feet, what do I need you for, when I have wings to fly?

– Frida Kahlo 

Appearances can be deceiving: The Dresses of Frida Kahlo is on view through November 22 2013 at the Museo Frida Kahlo, Londres 247, Col. Del Carmen, Coyocan, Mexico City, Mexico.

www.museofridakahlo.org.mx

Photography and text by Sophie Pinchetti

 

El Marxismo Dará Salud a los Enfermos [Marxism Will Give Health to the Sick] (1954) by Frida Kahlo. Oil on Masonite.
El Marxismo Dará Salud a los Enfermos [Marxism Will Give Health to the Sick] (1954) by Frida Kahlo. Oil on Masonite.
The grounds surrounding the Casa Azul.
The grounds surrounding the Casa Azul.
Frida Kahlo's desk with a portrait of Diego Rivera.
Frida Kahlo’s desk with a portrait of Diego Rivera.
A Pre-Hispanic statue in the Casa Azul's garden.
A Pre-Hispanic statue in the Casa Azul’s garden.
Diego Rivera's book collection.
Diego Rivera’s book collection.
A Pre-Hispanic style pyramid on the grounds of the Casa Azul.
A Pre-Hispanic style pyramid on the grounds of the Casa Azul.
Outside La Casa Azul in the courtyard: a wing added on by Diego Rivera in volcanic stone and incrusted shells.
Outside La Casa Azul in the courtyard: a wing added on by Diego Rivera in volcanic stone and incrusted shells.
Chinese Style boots worn by Frida Kahlo.
Chinese Style boots worn by Frida Kahlo.

Frida Kahlo's last painting... Viva la Vida, Sandias [Viva la Vida, Watermelons] (1954) by Frida Kahlo. Oil on masonite.
Frida Kahlo’s last painting… Viva la Vida, Sandias [Viva la Vida, Watermelons] (1954) by Frida Kahlo. Oil on masonite.
The Third Eye Magazine Mexico City Frida Kahlo Museum-Photo Sophie Pinchetti-17

Frida Kahlo and Diego Rivera's kitchen.
Frida Kahlo and Diego Rivera’s kitchen.
Pre-Hispanic statues.
Pre-Hispanic statues.
FRIDA AND DIEGO FOREVER. Calavera incarnations of Frida Kahlo (with her pet spider monkey either Fulang Chang or Caimito de Guayabal) and Diego Rivera with his signature workwear overalls.
FRIDA AND DIEGO FOREVER. Calavera incarnations of Frida Kahlo (with her pet spider monkey either Fulang Chang or Caimito de Guayabal) and Diego Rivera with his signature workwear overalls.
Pre-Hispanic statues around the Casa Azul.
Pre-Hispanic statues around the Casa Azul.
 

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